Which typefaces work well together




















Black Bean Grocery. On Deck. UX Tools. Dana Barkay. Simple Analytics. Owl Studios. Product Folks. Hayden Mills. Sara Soueidan. Anywhere Workers. Fraser Tea. Amanda Lui. Tyler Tringas. Open Pairing Syne Libre Baskerville. Open Pairing Montserrat Alternates Lora.

Open Pairing Fira Sans Merriweather. Open Pairing Work Sans Bitter. Open Pairing Butler Jost. Open Pairing Libre Baskerville Inter. You can dive straight into looking through our best font pairing examples and gather up some inspiration or read on to find out our top tips.

Feel free to get inspired by also checking out our comprehensive list of the best free fonts around. The best way to find the perfect font pairings to by using fonts within the same overarching typeface family. You just have to find a 'super-family' of fonts, and you'll already have all the weights, styles and classifications designed specifically to work perfectly together - how handy is that?

The clue is in the name; contrast. Contrasting fonts are hard to find as you are searching for two fonts that are totally different but also complement each other. Moreoftenthannot, you would normally pair a serif font with a sans serif font to achieve the perfect contrast. If typefaces are too similar, it's likely they will conflict.

You don't often find that similar serifs or similar sans serifs look particularly nice next to each other. It's important that as a designer, you establish a clear hierarchy. This could be as simple as adjusting the weight, the size or the colour of the same typeface — but when the typefaces vary, careful font pairing is crucial. For example, if you have a display face completely jam-packed with uniqueness and personality, you'll need something more neutral to do the hard work, and create a balance.

Of course, 'serif' and 'sans serif' are themselves broad classifications — each split into several sub-categories. Meanwhile, Transitional serifs have a stronger contrast between thick and thin strokes — examples include Bookman, Mrs. Eaves, Perpetua and Times. Finally, Modern serifs have an often very dramatic contrast between thick and thin for a more pronounced, stylised effect, as well as a larger x-height. Again, Geometric sans serifs marry best with these.

If you need to brush up on your typography knowledge, take a look at our typography tutorials , and you can browse a huge collection of fonts that don't cost a thing with our free fonts roundup. Read on for our pick of the best font pairings Calvert is a punchy slab serif from Monotype, named after its creator Margaret Calvert.

For an ideal example of font pairings, try sans-serif Acumin. This typeface comprises a massive 90 different fonts still confused about the difference? See our explanation of font vs typeface. It has been designed by Robert Slimbach as part of the Adobe Originals initiative, and to access it you'll need a Creative Cloud subscription. Google Font Montserrat was designed specifically for use online, while Courier New is a classic typewriter font that's a link to our guide packed full of more typewriter fonts.

On paper metaphorically , you might not think they'd make the ideal font pairing, but you'd be wrong. Montserrat's light, modern sans-serif letterforms offset Courier New's heavier, retro vibe perfectly.

Skolar's type foundry, Rosetta, describes it as "a typeface for complex typography". To back that up, it boasts a vast character set, and comes in Latin, Cyrillic, Greek, Devangari and Gujarati scripts. The typface itself sports low contrast, a relatively large x-height and robust serifs, which means it remains legible even when used at small sizes. Our font pairing is popular web font Proxima Nova.

This was designed, by Mark Simonson, to mix modern proportions with a geometric appearance. The family has a slightly calligraphic edge, and is designed to be suitable for long blocks of text.

However, the small caps variant is best suited to headers. For a delightful font pairing with an unintentionally tropical theme, try Pacifico and Quicksand. The former is a pleasingly free and flamboyant brush font that's ideal for use in headings.

The latter is a sans-serif with rounded terminals and some quirky touches — including that distinctive descender on the uppercase 'Q'. Quicksand was actually also designed as a display typeface, but it's clear enough to work well at small sizes, too. If you're aiming for a professional look, this is a great font pairing to try. Julius Sans One works only comes in one weight and is an all-caps font, but it's a top choice for a display font, with its fine stroke and broader baseline.

The more geometric Archivo Narrow is a perfect match. It has been designed to work equally well in print and digital. Display font Playfair draws inspiration from the period in the 18th century when quills were being replaced by pointed steel pens. The combination of the two creates an upscale type design that appeals to the cultured audience the magazine targets.

The site uses four main typefaces throughout: The main article titles are the serif Domaine Display; body text and some headlines on the homepage are the serif font Domaine Text; meta information, navigation, and section headers use the sans serif Avenir Next; and additional section headers on the homepage are in Domaine Sans Display.

Using multiple fonts from within a larger type family is a tried-and-true way of creating a complex typography design that coordinates perfectly. Adding in Avenir Next breaks things up and adds additional visual interest.

Designers must master this skill if they want to create exceptional designs that set them apart from their contemporaries. Consider the guidelines included here as jumping-off points to explore how to combine type effectively. A solid foundation allows for more efficient experimentation, without spending hours on completely unsuitable combinations. From here, designers can practice creating their own style and methods for effectively combining fonts, deviating from the guidelines as necessary with more confidence that their final product will be a delight to users.

Which font combinations go together comes down to a few things: contrast, structure, x-height, mood, and weight. When choosing complementary font combinations consider the following: classification, mood, weight, contrast not too much or too little , and x-height and structure of each typeface. Complementary fonts should have a balance of characteristics in common such as x-height and differences such as classification.

There are four common font classifications sometimes referred to as styles : serif and sans serif are the most common, while display and script typefaces are also widely used. Monospaced typefaces make up a fifth style that is less commonly used though popular for things like displaying code. Subscription implies consent to our privacy policy. Thank you! Check out your inbox to confirm your invite.

Design All Blogs Icon Chevron. Filter by. View all results. UX Design. Author Cameron Chapman. Type Characteristics With the hundreds of thousands of typefaces available, trying to figure out where to start can be overwhelming, even for advanced designers.

Classification Typeface classification is one of the most fundamental concepts to understand. Weight Weight refers to the thickness of a font within a typeface. Contrast Contrast in combining typefaces can be tricky. X-height X-height refers to the height of individual characters within a typeface, specifically the lowercase x.

Structure The underlying structure of a typeface includes all its characteristics, plus things like the basic shape of the characters and their spacing. Mood Mood is one of the more subjective areas of typography. Effective Font Combinations There is a seemingly endless supply of sites with beautiful typography out there, along with an equally endless supply of those with bad or just lackluster type.

Your choice of typeface is as important as what you do with it. Understanding the basics. World-class articles, delivered weekly. Sign Me Up Subscription implies consent to our privacy policy.



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